african american art, african american artist, Art, Art History, Artists, Black Art History, Black Women, Blog, Contemporary Art

Eartha Kitt (From “Anna Lucasta”) by Charles White

In a recent blog post about Dr. Kellie Jones, I found this art work by Charles White one of the artist discussed in South of Pico. I absolutely love Eartha Kitt and had to know more about this artwork.

african american art, african american artist, Art, Art History, Black Art Historians, Black Art History, Black Women, Contemporary Art, Curator, Museum Director

South of Pico by Kellie Jones

In South of Pico Kellie Jones explores how the artists in Los Angeles's black communities during the 1960s and 1970s created a vibrant, productive, and engaged activist arts scene in the face of structural racism. Emphasizing the importance of African American migration, as well as L.A.'s housing and employment politics, Jones shows how the work of black Angeleno artists such as Betye Saar, Charles White, Noah Purifoy, and Senga Nengudi spoke to the dislocation of migration, L.A.'s urban renewal, and restrictions on black mobility.

african american art, african american artist, Art, Art History, Black Art History, Black Women, Blog, Contemporary Art, dance, sculpture

Muse for “Glory” by Elizabeth Catlett

In a recent blog post about Elizabeth Catlett's sculpture tilted "Glory" I wanted to know more about the art work. Who is the woman depicted? What is her significance to the arts and history? After researching I was amazed. The woman sculpted below is Glory Van Scott, actor, dancer, and educator. Read the excerpt of her story here.

african american art, african american artist, Art, Art History, Black Art Historians, Black Art History, Black Women, Blog, Contemporary Art, Professor, sculpture

“Glory” inspires Quiet Pride: The Elizabeth Catlett Project

Elizabeth Catlett's "Glory" inspires music. The sculptures of the late African-American artist and civil rights activist Elizabeth Catlett are the inspiration for a new jazz composition. Rufus Reid, a bass musician who's been playing jazz for half a century, uses Catlett's artwork to explore the intersection between music and the visual arts. In his new project, called "Quiet Pride," Reid tries to convey Catlett's sculptures in sound. [1]

african american art, african american artist, Art, Art History, Black Art Historians, Black Art History, Black Women, Blog, Contemporary Art

“Untitled” New Orleans Series by Gwendolyn Knight, 1941

"Untitled" New Orleans Series by Gwendolyn Knight, 1941