Elizabeth Catlett's "Glory" inspires music. The sculptures of the late African-American artist and civil rights activist Elizabeth Catlett are the inspiration for a new jazz composition. Rufus Reid, a bass musician who's been playing jazz for half a century, uses Catlett's artwork to explore the intersection between music and the visual arts. In his new project, called "Quiet Pride," Reid tries to convey Catlett's sculptures in sound. 
A pioneer of second-wave feminist and postwar black nationalist aesthetics—whose lasting influence was secured by her iconic reclamation of the Aunt Jemima figure in works such as The Liberation of Aunt Jemima (1972)—Betye Saar began her career in design before transitioning to assemblage and installation. 
Since the early 1960s, Faith Ringgold has been known for her story quilts, politically charged paintings and prints, and illustrated children’s books. She has eloquently articulated a critical perspective on American identity through the lenses of the feminist and civil rights movements.***
“I always made sure that all those people who thought they weren’t part of the opportunity to participate in the arts could find a way to become part of that experience,” said Leslie King Hammond, PhD, graduate dean emerita and founding director of the Center for Race and Culture at MICA. Her words are realized with the creation of the Leslie King Hammond Graduate Award. *
Dr. Deborah Willis is an artist, author and curator Deborah Willis's art and pioneering research has focused on cultural histories envisioning the black body, women and gender.