african american art, african american artist, Art, Art History, Black Art Historians, Black Art History, Black Women, Contemporary Art, Curator, Museum Director

South of Pico by Kellie Jones

In South of Pico Kellie Jones explores how the artists in Los Angeles's black communities during the 1960s and 1970s created a vibrant, productive, and engaged activist arts scene in the face of structural racism. Emphasizing the importance of African American migration, as well as L.A.'s housing and employment politics, Jones shows how the work of black Angeleno artists such as Betye Saar, Charles White, Noah Purifoy, and Senga Nengudi spoke to the dislocation of migration, L.A.'s urban renewal, and restrictions on black mobility.

african american art, african american artist, Art, Art History, Black Art Historians, Black Art History, Black Women, Blog, Contemporary Art, Professor, sculpture

“Glory” inspires Quiet Pride: The Elizabeth Catlett Project

Elizabeth Catlett's "Glory" inspires music. The sculptures of the late African-American artist and civil rights activist Elizabeth Catlett are the inspiration for a new jazz composition. Rufus Reid, a bass musician who's been playing jazz for half a century, uses Catlett's artwork to explore the intersection between music and the visual arts. In his new project, called "Quiet Pride," Reid tries to convey Catlett's sculptures in sound. [1]

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“Singing Head” by Elizabeth Catlett

Elizabeth Catlett, Singing Head, 1980, black Mexican marble, Smithsonian American Art Museum, 16 x 9 1/2 x 12 in. (40.7 x 24.2 x 30.5 cm.)


african american art, african american artist, Art, Art History, Black Art Historians, Black Art History, Black Women, Blog, Contemporary Art

“Untitled” New Orleans Series by Gwendolyn Knight, 1941

"Untitled" New Orleans Series by Gwendolyn Knight, 1941


african american art, african american artist, Art, Art History, Artists, Black Art Historians, Black Art History, Black Madonna, Black Women, Blog, Contemporary Art, Curator, Photography

Renee Cox – Artist & Photographer

Renee Cox continues to question society and the roles it gives to blacks and women with her elaborate scenarios and imaginative visuals that offend some and exhilarate others.[2]