In the 1920s Augusta Savage received commissions to create portrait busts of W.E.B. Du Bois and black nationalist Marcus Garvey; both pieces were hailed for their power and dynamism. On the strength of these works and especially the poignant Gamin (1929)—a portrait bust of a streetwise boy and one of Savage’s few extant pieces—she received a Julius Rosenwald Fellowship that enabled her finally to study in Paris in 1929–31.**
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Senga Nengudi emerged as part of a group of avant-garde African-American artists active in Los Angeles and New York in the 1970s and 1980s.
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Edmonia Lewis was the first sculptor of African American and Native American descent to achieve international recognition. In addition to creating portrait heads, Lewis sculpted biblical scenes and figural works dealing with her Native American heritage and the oppression of black people.*
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Since the early 1960s, Faith Ringgold has been known for her story quilts, politically charged paintings and prints, and illustrated children’s books. She has eloquently articulated a critical perspective on American identity through the lenses of the feminist and civil rights movements.***
Read more Faith Ringgold – Painter, Writer, Speaker, Sculptor & Performance Artist