In a recent blog post about Dr. Kellie Jones, I found this art work by Charles White one of the artist discussed in South of Pico. I absolutely love Eartha Kitt and had to know more about this artwork.
In South of Pico Kellie Jones explores how the artists in Los Angeles's black communities during the 1960s and 1970s created a vibrant, productive, and engaged activist arts scene in the face of structural racism. Emphasizing the importance of African American migration, as well as L.A.'s housing and employment politics, Jones shows how the work of black Angeleno artists such as Betye Saar, Charles White, Noah Purifoy, and Senga Nengudi spoke to the dislocation of migration, L.A.'s urban renewal, and restrictions on black mobility.
In 2011, Dr. Kellie Jones and the Hammer Museum in Los Angeles curated an exhibition that chronicled the historic art scene in Los Angeles between 1960-1980s. The exhibition Now Dig This! was presented as part of Pacific Standard Time, a collaboration of more than sixty cultural institutions across Southern California, coming together to tell the story of the birth of the Los Angeles art scene and how it became a new force in the art world. Read more here.