Marilyn Nance is a photojournalist who goes her own way. She wants to tell the truth, particularly about her own community whom she calls ordinary working class Black folks. She follows her instincts, leading her down paths beyond still photography. Marilyn noted in a lecture at the Library of Congress, ". . . the commercial media often has no interest in showing the images that I feel need to be shown."1
Considered one of the most influential contemporary American artists, Carrie Mae Weems has investigated family relationships, cultural identity, sexism, class, political systems, and the consequences of power. Determined as ever to enter the picture—both literally and metaphorically—Weems has sustained an on-going dialogue within contemporary discourse for over thirty years. During this time, Carrie Mae Weems has developed a complex body of art employing photographs, text, fabric, audio, digital images, installation, and video.