...we had fun working together and that’s all that really matters. If you would like to encourage a little bit of creativity with your little one you can try this art project, Animal Handprints. Watch the video at https://youtu.be/FYequfwuL_E
At the same time, Ethiopia's message was assimilationist in the way it was exhibited at a "melting pot" event, representing the emancipation of a people attempting to prove their value to a society that had long excluded blacks from full involvement as United States citizens.
Speed Painting of Lipstick & My thoughts and experience with filming my work. Learning to let go, enjoy the process and PAINT....because that’s what it’s really about.
Richard J. Powell is John Spencer Bassett Professor of Art & Art History at Duke University, where he has taught since 1989. He studied at Morehouse College and Howard University before earning his doctorate in art history at Yale University. Along with teaching courses in American art, the arts of the African Diaspora, and contemporary visual studies, he has written extensively on topics ranging from primitivism to postmodernism, including such titles as Homecoming: The Art and Life of William H. Johnson (1991), Black Art: A Cultural History (1997 & 2002), and Cutting a Figure: Fashioning Black Portraiture (2008).
I initially was attracted to her story because of the fact she didn't let her personal life overshadow her career. As a working woman with children it can be difficult to find that balance. Especially, as a working African American woman in the arts during a very difficult time period. She paved the way for artists of color, women and inspired many sculptors, painters and more. Augusta Savage was an artist, educator and activist, a true Renaissance woman.