african american art, african american artist, Art, Art History, Black Art Historians, Black Art History, Black Women, Blog, Contemporary Art, Professor, sculpture

“Glory” inspires Quiet Pride: The Elizabeth Catlett Project

Elizabeth Catlett's "Glory" inspires music. The sculptures of the late African-American artist and civil rights activist Elizabeth Catlett are the inspiration for a new jazz composition. Rufus Reid, a bass musician who's been playing jazz for half a century, uses Catlett's artwork to explore the intersection between music and the visual arts. In his new project, called "Quiet Pride," Reid tries to convey Catlett's sculptures in sound. [1]

african american art, african american artist, Art, Art History, Artists, Black Art Historians, Black Art History, Blog, sculpture

Dr. Selma Burke – Sculptor

Some of Burke’s most notable sculptures include Temptation (1938),  Despair (1951),  Fallen Angel(1958), Mother and Child (1968), and Together (1975).  A nine-foot statue of Martin Luther King, Jr. she completed while in her eighties is on display in Marshall Park in Charlotte, North Carolina.  She received numerous awards and honors which included three honorary doctorate degrees.  In 1979 Burke was recognized by President Jimmy Carter for her contribution to African American art history.[4]

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Meta Vaux Warrick Fuller – Sculptor

Created at the dawn of the Harlem Renaissance, Fuller's sculpture "Ethiopia" is widely considered the first Pan-African American work of art. Fuller  studied with Raphaël Collin and was mentored by painter Henry Ossawa Tanner. Her work symbolized a new black identity that was emerging through the Renaissance and represented a pridefulness in African and black heritage and identity

african american art, african american artist, African art, Art, Art History, Artists, Black Art Historians, Black Art History, Blog, Native American Art, sculpture

Edmonia Lewis – Sculptor

Edmonia Lewis was the first sculptor of African American and Native American descent to achieve international recognition. In addition to creating portrait heads, Lewis sculpted biblical scenes and figural works dealing with her Native American heritage and the oppression of black people.*