The sculptures of the late African-American artist and civil rights activist Elizabeth Catlett are the inspiration for a new jazz composition. Rufus Reid, a bass musician who’s been playing jazz for half a century, uses Catlett’s artwork to explore the intersection between music and the visual arts. In his new project, called “Quiet Pride,” Reid tries to convey Catlett’s sculptures in sound. 
Listen to the interview with this here.
A visionary and political artist, Glory exhibits Catlett’s representation of the strength and beauty of African-American women. This is an early cast of a portrait bust of Glory Van Scott, a performer and educator well-known for her work as the principal dancer with several Broadway dance companies in the mid-twentieth century. From a total edition of nine sculptures, the version at the Davis is differentiated by a distinctive black patina, which is unlike the copper-colored patinas of the later casts. 
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