If you haven't tried printing your artwork on canvas I highly recommend it. Your customers will appreciate it and you can keep your art. Queen Bee Art
At the time I didn't know who the artist was but my first thought was....now this makes sense. It was that moment of wow! This is an art piece I would love to see up close.
In a recent blog post about Dr. Kellie Jones, I found this art work by Charles White one of the artist discussed in South of Pico. I absolutely love Eartha Kitt and had to know more about this artwork.
Elizabeth Catlett's "Glory" inspires music. The sculptures of the late African-American artist and civil rights activist Elizabeth Catlett are the inspiration for a new jazz composition. Rufus Reid, a bass musician who's been playing jazz for half a century, uses Catlett's artwork to explore the intersection between music and the visual arts. In his new project, called "Quiet Pride," Reid tries to convey Catlett's sculptures in sound. 
Elizabeth Catlett, Singing Head, 1980, black Mexican marble, Smithsonian American Art Museum, 16 x 9 1/2 x 12 in. (40.7 x 24.2 x 30.5 cm.)
"Untitled" New Orleans Series by Gwendolyn Knight, 1941
Renee Cox continues to question society and the roles it gives to blacks and women with her elaborate scenarios and imaginative visuals that offend some and exhilarate others.
In the 1920s Augusta Savage received commissions to create portrait busts of W.E.B. Du Bois and black nationalist Marcus Garvey; both pieces were hailed for their power and dynamism. On the strength of these works and especially the poignant Gamin (1929)—a portrait bust of a streetwise boy and one of Savage’s few extant pieces—she received a Julius Rosenwald Fellowship that enabled her finally to study in Paris in 1929–31.**
Senga Nengudi emerged as part of a group of avant-garde African-American artists active in Los Angeles and New York in the 1970s and 1980s.
In a career spanning more than 70 years, Elizabeth Catlett has created sculptures that celebrate the heroic strength and endurance of African-American and Mexican working-class women. With simple, clear shapes she evokes both the physical and spiritual essence of her subjects. Her hardy laborers and nurturing mothers radiate both power and a timeless dignity and calm. Whether working in wood, stone, bronze, or clay, Catlett reveals an extraordinary technical virtuosity, a natural ability to meld her curving female forms with the grain, whorls, color, or luster of her chosen medium. The beauty of her subjects is matched by the beauty she reveals in her sculptural materials.**
“I always made sure that all those people who thought they weren’t part of the opportunity to participate in the arts could find a way to become part of that experience,” said Leslie King Hammond, PhD, graduate dean emerita and founding director of the Center for Race and Culture at MICA. Her words are realized with the creation of the Leslie King Hammond Graduate Award. *
Valerie Cassel Oliver, senior curator at the Contemporary Arts Museum Houston, has become a powerful force in contemporary art.
Her art is exhibited through words on the page, performance and film in the attempt to transform, dissect and explore the intersection of blackness, queer identity, fragility and being a woman in America and beyond. As a queer black female artist, she has given and hopes to continue to provide her community with a platform for dialogue, social change and transformation through artistic creation.
This photograph is one of the few images that the artist created in this way which makes this art work even more interesting to me. The photograph was exhibited last year, 2017, at the SOMArts in San Francisco in The Black Woman is God: Divine Revolution exhibition curated by Karen Seneferu and Melorra Green.