Tag: Contemporary Art

Cheryl Finley – Art Historian

Dr. Finley’s works also published this year, My Soul Has Grown Deep: Black Art from the American South (Yale University Press, 2018), accompanies the exhibition History Refused to Die: Highlights from the Souls Grown Deep Foundation at the Metropolitan Museum of Art in New York through September 23, 2018.

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Upcycling Your Own Art

A few weeks back I went through all my artworks and decided that some of these works could use some work. I don’t know about you but after a few years of holding onto these artworks I decided to revamp them or upcycle them. Basically I said these old canvases could use a makeover. I…

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Richard Powell- Art & Art History

Richard J. Powell is John Spencer Bassett Professor of Art & Art History at Duke University, where he has taught since 1989.  He studied at Morehouse College and Howard University before earning his doctorate in art history at Yale University.  Along with teaching courses in American art, the arts of the African Diaspora, and contemporary visual studies, he has written extensively on topics ranging from primitivism to postmodernism, including such titles as Homecoming: The Art and Life of William H. Johnson (1991), Black Art: A Cultural History (1997 & 2002), and Cutting a Figure: Fashioning Black Portraiture (2008).[1]

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Architecture Studies

When I was younger I would stare at the ceiling imagining gravity dropping and floating upwards placing my feet onto the surface and walking around. It was a fun past time. I did the same daydreaming at LAX airport recently however this time I took a few photos.

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Thornton Dial – Artist

"Art is strange-looking stuff and most people don’t understand art. Most people don’t understand my art, the art of the Negroes, because most people don’t understand me, don’t understand the Negroes at all. If everybody understand one another, wouldn’t nobody make art. Art is something to open your eyes. Art is for understanding." ~Thornton Dial [1]

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South of Pico by Kellie Jones

In South of Pico Kellie Jones explores how the artists in Los Angeles's black communities during the 1960s and 1970s created a vibrant, productive, and engaged activist arts scene in the face of structural racism. Emphasizing the importance of African American migration, as well as L.A.'s housing and employment politics, Jones shows how the work of black Angeleno artists such as Betye Saar, Charles White, Noah Purifoy, and Senga Nengudi spoke to the dislocation of migration, L.A.'s urban renewal, and restrictions on black mobility.

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“Glory” inspires Quiet Pride: The Elizabeth Catlett Project

Elizabeth Catlett's "Glory" inspires music. The sculptures of the late African-American artist and civil rights activist Elizabeth Catlett are the inspiration for a new jazz composition. Rufus Reid, a bass musician who's been playing jazz for half a century, uses Catlett's artwork to explore the intersection between music and the visual arts. In his new project, called "Quiet Pride," Reid tries to convey Catlett's sculptures in sound. [1]

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Elizabeth Catlett – Artist & Advocate for Social Change

In a career spanning more than 70 years, Elizabeth Catlett has created sculptures that celebrate the heroic strength and endurance of African-American and Mexican working-class women. With simple, clear shapes she evokes both the physical and spiritual essence of her subjects. Her hardy laborers and nurturing mothers radiate both power and a timeless dignity and calm. Whether working in wood, stone, bronze, or clay, Catlett reveals an extraordinary technical virtuosity, a natural ability to meld her curving female forms with the grain, whorls, color, or luster of her chosen medium. The beauty of her subjects is matched by the beauty she reveals in her sculptural materials.**

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Dr. Leslie King-Hammond: Artist, Art Historian and Curator

“I always made sure that all those people who thought they weren’t part of the opportunity to participate in the arts could find a way to become part of that experience,” said Leslie King Hammond, PhD, graduate dean emerita and founding director of the Center for Race and Culture at MICA. Her words are realized with the creation of the Leslie King Hammond Graduate Award. *

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