Often times I paint over some of my used canvases because the art was initially created as a quick sketch or teaching exercise. Yet every so often one gets in with the family.
In My City Blue Ink Art
The leaf stitch video is posted for beginner cross stitch.
Dancing Figures by Richard Bruce
I enjoyed this story so much that during college I almost got a tattoo of "poetic justice" in Arabic on my lower back. You know the kind and please don't ask me why? Why not? And Arabic? It was a phase and the written language so lovely. And I still don't have any tattoos but that's not what this is about!
At the time I didn't know who the artist was but my first thought was....now this makes sense. It was that moment of wow! This is an art piece I would love to see up close.
This is a video of me practicing more Halloween themed paintings. I found this one on Pinterest and had to try it.
It's so hard for me to just stop and rest. Even now I'm writing this blog, but you know what I mean, right? At least I hope so.
After I finished this exercise I sent it to him. But the I thought. Wait, what will happen if I do this again in a few months? It looks good to me now but in a few months it may not.
I forgot to update you guys about this but that art package I sent to my grandmother arrived!
Speed Painting of Lipstick & My thoughts and experience with filming my work. Learning to let go, enjoy the process and PAINT....because that’s what it’s really about.
Art work by Osmond Watson, CityLife 1968
Packaging a 16 inch by 20 inch canvas sounds easy to say but with two small children, a husband and working overnights, what should have been a seemingly small task to complete turned into....something much more time consuming and I'm so glad I did some test shipping.
Last spring, the arts and crafts store Michaels had a sale on large level three canvases so purchased a few. I've never painted on such large canvases before so I was excited about the experience. For whatever reason in my mind, I didn't think there would be much of a difference working on a large surface. I don't know why I thought this.
Here is one of the upcycled large canvases I added to our living room. Before the beach scene, the canvas was an abstract art piece. I was exploring colors and shapes. See the next images. I was completely filled with joy that I was able to create such a large art work. And I became…
Richard J. Powell is John Spencer Bassett Professor of Art & Art History at Duke University, where he has taught since 1989. He studied at Morehouse College and Howard University before earning his doctorate in art history at Yale University. Along with teaching courses in American art, the arts of the African Diaspora, and contemporary visual studies, he has written extensively on topics ranging from primitivism to postmodernism, including such titles as Homecoming: The Art and Life of William H. Johnson (1991), Black Art: A Cultural History (1997 & 2002), and Cutting a Figure: Fashioning Black Portraiture (2008).
The portrait below is my seventh of the same one, it's not complete but it does get a little better each time. My peer's critiques don't sting as much and my ability to focus while painting has increased. I'm practicing patience which is like pulling teeth, but I think this is my take away. I always want it right now but that's not how life works and with creating art and writing I'm slowly learning....patience. I don't know the ending of this journey but I am enjoying the ride and I'm enjoying sharing it with you.
When I was younger I would stare at the ceiling imagining gravity dropping and floating upwards placing my feet onto the surface and walking around. It was a fun past time. I did the same daydreaming at LAX airport recently however this time I took a few photos.
It was even discovered that Neptune Thurston taught artist, Gilbert Stuart how to paint heads and faces.**
My Soul Has Grown Deep considers the art-historical significance of contemporary Black artists and quilters working throughout the southeastern United States and Alabama in particular. See sources for more Information.
In a recent blog post about Dr. Kellie Jones, I found this art work by Charles White one of the artist discussed in South of Pico. I absolutely love Eartha Kitt and had to know more about this artwork.
I think I’ve fallen in love with this art piece. Excerpt from Nasher, Motley was 70 years old when he painted the oil on canvas, Hot Rhythm, in 1961. This painting explores one of Motley’s favorite subjects, the jazz age. The artist loved to walk the streets of Bronzeville, a once-thriving neighborhood in Chicago’s South…
Elizabeth Catlett's "Glory" inspires music. The sculptures of the late African-American artist and civil rights activist Elizabeth Catlett are the inspiration for a new jazz composition. Rufus Reid, a bass musician who's been playing jazz for half a century, uses Catlett's artwork to explore the intersection between music and the visual arts. In his new project, called "Quiet Pride," Reid tries to convey Catlett's sculptures in sound. 
Elizabeth Catlett, Singing Head, 1980, black Mexican marble, Smithsonian American Art Museum, 16 x 9 1/2 x 12 in. (40.7 x 24.2 x 30.5 cm.)
"Untitled" New Orleans Series by Gwendolyn Knight, 1941
Renee Cox continues to question society and the roles it gives to blacks and women with her elaborate scenarios and imaginative visuals that offend some and exhilarate others.
Gwendolyn Knight Lawrence's first formal study of art came at Howard University, where she studied with the painter Lois Maillou Jones and with printmaker James Lesesne Wells. During the Harlem Renaissance, Knight became a daily participant in the workshop of sculptor Augusta Savage, director of the Savage Studio of Arts and Crafts and later of the Harlem Community Arts Center. Throughout the 1940s, 1950s, and 1960s, Knight became an itinerant artist of sorts, accompanying her husband, Jacob Lawerence, as he pursued new opportunities.
Some of Burke’s most notable sculptures include Temptation (1938), Despair (1951), Fallen Angel(1958), Mother and Child (1968), and Together (1975). A nine-foot statue of Martin Luther King, Jr. she completed while in her eighties is on display in Marshall Park in Charlotte, North Carolina. She received numerous awards and honors which included three honorary doctorate degrees. In 1979 Burke was recognized by President Jimmy Carter for her contribution to African American art history.
In the 1920s Augusta Savage received commissions to create portrait busts of W.E.B. Du Bois and black nationalist Marcus Garvey; both pieces were hailed for their power and dynamism. On the strength of these works and especially the poignant Gamin (1929)—a portrait bust of a streetwise boy and one of Savage’s few extant pieces—she received a Julius Rosenwald Fellowship that enabled her finally to study in Paris in 1929–31.**
Senga Nengudi emerged as part of a group of avant-garde African-American artists active in Los Angeles and New York in the 1970s and 1980s.